Events

A riveting look at one of the most colorful, dangerous, and peculiar places in America’s historical landscape: the strange, wonderful, and mysterious Mississippi River of the nineteenth century.   Beginning in the early 1800s and climaxing with the siege of Vicksburg in 1863, Wicked River takes us back to a time before the Mississippi was dredged into a shipping channel, and before Mark Twain romanticized it into myth. Drawing on an array of suspenseful and bizarre firsthand accounts, Lee Sandlin brings to life a place where river pirates brushed elbows with future presidents and religious visionaries shared passage with thieves—a world unto itself where, every night, near the levees of the big river towns, hundreds of boats gathered to form dusk-todawn cities dedicated to music, drinking, and gambling. Here is a minute-by-minute account of Natchez being flattened by a tornado; the St. Louis harbor being crushed by a massive ice floe; hidden, nefarious celebrations of Mardi Gras; and the sinking of the Sultana, the worst naval disaster in American history. And here is the Mississippi itself: gorgeous, perilous, and unpredictable, lifeblood to the communities that rose and fell along its banks. An exuberant work of Americana—at once history, culture, and geography—Wicked River is a grand epic that portrays a forgotten society on the edge of revolutionary change.  A gripping book that plunges you into a rich dark stretch of visceral history. I read it in two sittings and got up shaken. —Garrison Keillor Wicked River almost makes you feel guilty for enjoying an education so much. I learned things at every S-curve, neck deep in a fine, fine story. I lived a stone's throw from that river, and though I knew it flowed through eons of meanness and sadness and ribaldry, I didn't know it was this twisted. —Rick Bragg, author of The Prince of Frogtown Great stuff, essential stuff, and yeah, wicked. —Roy Blount Jr, author of Alphabet Juice and Long Time Leaving Dispatches From Up South One of the best book’s ever written about the Mississippi River. Each page rounds a new bend full of delirious missionaries, hell-bent-for-speed steamboat captains, and gaudy traders in ‘fancy girl’ slave prostitutes. You won’t put it down till you’ve read every steamy, malarial, fascinating page. —Mike Tidwell, author of Bayou Farewell LEE SANDLIN’s essays, most of which were published in the Chicago Reader, received the Peter Lisagor Award for Exemplary Journalism and an award for Best Arts Criticism from the Association of Alternative Newsweeklies. His essay “Losing the War” was included in the anthology The New Kings of Nonfiction. He lives in Chicago.