Not Yet Published
A thrilling, innovative novel about the interplay between nature and humankind by the author of Names on the Land.
With Storm, first published in 1941, George R. Stewart invented a new genre of fiction, what we might today call the eco-novel. California has been plunged in drought throughout the summer and fall, when, just after the new year, half a world away, a ship on the Pacific reports an unusual barometric reading. In San Francisco, a junior meteorologist in the weather bureau takes note of the anomaly and plots “an incipient little whorl” on the weather map, a developing storm, he suspects, that he privately dubs Maria. Stewart’s novel tracks Maria’s eastward progress to and beyond the shores of the United States through the eyes of meteorologists, linemen, snowplow operators, a general, a couple of decamping lovebirds, and an unlucky owl, and the storm, as it ebbs and falls, will bring long-needed rain, flooding roads, deep snows, accidents, and death. Storm itself combines brilliant narrative invention and widespread erudition to offer an epic account of humanity’s relationship to, and dependence on, the natural world.
About the Author
George R. Stewart (1895–1980) was born in Pennsylvania and educated at Princeton. He received his PhD in English literature from Columbia in 1922 and joined the English faculty at the University of California, Berkeley, in 1924. He was a sociologist, toponymist, and founding member of the American Name Society, and the author of more than twenty books, including Names on the Land, available from NYRB Classics.
Nathaniel Rich is the author of Losing Earth: A Recent History, a finalist for the PEN/E.O. Wilson Literary Science Award; the novels King Zeno, Odds Against Tomorrow, and The Mayor's Tongue; and the Little Bookroom title San Francisco Noir. He is a writer-at-large for the New York Times Magazine and a regular contributor to The Atlantic, Harper’s, and The New York Review of Books. He lives in New Orleans.
“The storm itself . . . becomes absorbing as few human characters, in fiction, ever are. It is a splendid job of research and design.” —Time