Please join us for an presentation and signing with English professor, writer, and musician Florence Dore featuring here recent book, NOVEL SOUNDS: Southern Fiction in the Age of Rock and Roll.
NOVEL SOUNDS shows how Southern writers turned to rock music and its technologies—tape, radio, vinyl—to develop the “rock novel.” Florence Dore considers the work of writers like William Faulkner, Flannery O’Connor, and William Styron alongside Bessie Smith, Lead Belly, and Bob Dylan to uncover deep historical links between rock and literature.
The 1950s witnessed both the birth of both rock and roll and the creation of Southern literature as we know it. Around the time that Chuck Berry and Elvis Presley put their electric spin on Southern vernacular ballads, a canonical group of white American authors native to rock’s birthplace began to write fiction about the electrification of those ballads, translating into literary form key cultural changes that gave rise to the infectious music coming out of their region. In Novel Sounds, Florence Dore tells the story of how these forms of expression became intertwined and shows how Southern writers turned to rock music and its technologies—tape, radio, vinyl—to develop the “rock novel.”
Dore considers the work of Southern writers like William Faulkner, Flannery O’Connor, and William Styron alongside the music of Bessie Smith, Lead Belly, and Bob Dylan to uncover deep historical links between rock and Southern literature. Along with rock pioneers, Southern authors drew from blues, country, jazz, and other forms to create a new brand of realism that redefined the Southern vernacular as global, electric, and notably white. Resurrecting this Southern literary tradition at the birth of rock, Dore clarifies the surprising but unmistakable influence of rock and roll on the American novel. Along the way, she explains how literature came to resemble rock and roll, an anti-institutional art form if there ever was one, at the very moment academics claimed literature for the institution.
Florence Dore is professor of English at the University of North Carolina, Chapel Hill and a founding board member for the Institute for Bob Dylan Studies at the University of Tulsa’s Bob Dylan Archives. She is the author of The Novel and the Obscene: Sexual Subjects in American Modernism (2005). Her rock album Perfect City was released on Slewfoot Records (2001). She has published writing on the blues, the rock novel, and her first book on literary censorship came out on Stanford University Press in 2001. She has organized two major public conferences on rock and literature: at the National Humanities Center and Carolina Performing Arts in 2016-2017; and at the Rock and Roll Hall of Fame in 2011. She worked with Eric Ambel (Joan Jett, The Del-Lords, Steve Earle) and Dennis Diken (The Smithereens) to make Perfect City, and has toured with many notable artists including Dan Baird (Georgia Satellites), Ken Coomer (Wilco), and Dave Jacques (John Prine). Her song Christmas was recorded by the Posies for the 1996 Geffen Records release Just Say Noel.
The 1950s witnessed both the birth of both rock and roll and the creation of Southern literature as we know it.