Please join us when Hugo Award-winning author and music journalist Jason Heller explores the weird and wild story of when rock ’n’ roll met the sci-fi world of the 1970s at an event featuring his new book, STRANGE STARS: David Bowie, Pop Music, and the Decade Sci-Fi Exploded. Heller will discuss his book in conversation with local writer and musician Michael Patrick Welch, followed by a book signing.
As the 1960s drew to a close and mankind trained its telescopes on other worlds, old conventions gave way to a new kind of hedonistic freedom that celebrated sex, drugs, and rock ’n’ roll. Derided as nerdy or dismissed as fluff, science fiction rarely gets credit for its catalyzing effect on this revolution.
In Strange Stars, Jason Heller recasts sci-fi and pop music as parallel cultural forces that depended on one another to expand the horizons of books, music, and out-of-this-world imagery.
In doing so, he presents a whole generation of revered musicians as the sci-fi-obsessed conjurers they really were: from Sun Ra lecturing on the black man in the cosmos, to Pink Floyd jamming live over the broadcast of the Apollo 11 moon landing; from a wave of Star Wars disco chart toppers and synthesiser-wielding post-punks, to Jimi Hendrix distilling the “purplish haze” he discovered in a pulp novel into psychedelic song. Of course, the whole scene was led by David Bowie, who hid in the balcony of a movie theater to watch 2001: A Space Odyssey, and came out a changed man…
If today’s culture of Comic Con fanatics, superhero blockbusters, and classic sci-fi reboots has us thinking that the nerds have won at last, Strange Stars brings to life an era of unparalleled and unearthly creativity—in magazines, novels, films, records, and concerts—to point out that the nerds have been winning all along.
Jason Heller has written for publications including the New Yorker, Rolling Stone, Pitchfork, NPR, and The AV Club. His latest book was Taft 2012.
Michael Patrick Welch has covered New Orleans and its music for almost two decades, in local publications like Gambit Weekly and OffBeat, as well as national outlets like The Guardian, Vox, McSweeney’s, Columbia Journalism Review, Oxford American, and Vice.
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A Hugo Award-winning author and music journalist explores the weird and wild story of when rock ’n’ roll met the sci-fi world of the 1970s